LONNIE KNIGHT THROUGH THE YEARS - Track Credits

DISC ONE - TRACK 1

Clockwise from lower left: Lonnie, Harry Nehls, Dick Wiegand, Larry Wiegand; circa 1960s

Track 1 – WHENEVER

Music & Lyrics by: Lonnie Knight, Harry Nehls, and G. Garrett
Label: Twin Town Records
Recorded at: Kay Bank Studios in Minneapolis
Performed by:
The Rave-Ons  (originally released in 1965)
Guitar and vocals:
Lonnie Knight
Bass and vocals:
Larry Wiegand
Guitar:
Dick Wiegand
Drums and vocals:
Harry Nehls

 

Background Notes:
In 1962, the escalating involvement of the US in the war in Vietnam saw tens of thousands of young American boys drafted and shipped out to Southeast Asia. Included in this group were several original members of the Rave-Ons.

Guitarist Chris Katsamedus was one of those called to serve. He was replaced by Lonnie, his Richfield High School classmate. Lonnie had previously been a founding member of the Castaways (Liar, Liar). In 1964, when lead singer Robbie Hardell left to serve in Vietmam, Lonnie took over Robbie’s role. Decades later, Lonnie revealed that he got that gig as a result of being the only band member with a microphone, which he borrowed from former Castaways bandmate, Roy Hensley.

In 1965, the Rave-Ons went into Kay Bank Studios in Minneapolis to record their original Beatlesesque tune Whenever with producer George Garrett (Nik’O’Lake Records owner). Whenever received airplay on local Twin Cities radio stations.

Source: minniepaulmusic.com

DISC ONE - TRACK 2

Body Shoppe Coffeehouse circa 1970's

Track 2 – CANDY DAYS

Music & Lyrics by: Lonnie Knight
Live performance
on WCCO radio, Twin Cities
Guitar and vocals:
Lonnie Knight

 

Background Notes:
This was a live broadcast on WCCO radio some time in the late 1960s. Lonnie provides background information about Candy Days at the beginning of this track.

DISC ONE - TRACK 3

Norman Blake and Lonnie

Track 3 – OLD BROWN CASE

Music by: Norman Blake
Live performance
on KDWB radio in 1976
Guitar
: Lonnie Knight

 

Background Notes:
This recording is from the Blueberry Bill Show (BBS), named after host Blueberry Bill Hood. The show featured Twin Cities premier acoustic musicians every Sunday night on KDWB from 1976-1979.

Listen to this clip of Norman Blake being interviewed on an episode of the BBS in which Lonnie’s performance of this tune is referenced.

DISC ONE - TRACK 4

Lonnie circa 1970

Track 4 – LONG AFTER MIDNIGHT

Music by: Lonnie Knight
Label:
Electrosonic Studio – University of Wisconsin, Madison
Recorded at:
Sound 80 Studios in Minneapolis (Originally released in 1978)
Lonnie Knight :
Acoustic & electric guitars, harp, Arp Avatar, mandolin, knees
Bill Barber: Keyboards
Jimmy “Flim” Johnson: Bass
Gordy Knudtson:
Drums

Background Notes:
This is an instrumental track from the vinyl album Guitar Instant Production Music Vol. 11. It features prominent members of the Sound 80 session musicians from the studio’s heyday. Lonnie composed and produced two albums of instrumental music for this label (Volumes 7 & 11). For those who don’t know, “production music” is also referred to as “needle drops.”  These compositions are purchased outright or licensed per use in commercials, films, television and corporate-industrial productions.

Lonnie wrote, “Long After Midnight is a jazz-flavored ballad that I wrote while reading a collection of Ray Bradbury stories under the same name.”

DISC ONE - TRACK 5

Dave Reid, Jim Dahl, Lonnie, Reid Papke

Track 5 – PICKER’S LULLABY

Music and lyrics by: Lonnie Knight
Performed by: 
Arizona
Recorded by:
Denny Johnson
Lonnie Knight :
Guitar and vocals
Dave Reid: Rhythm guitar and vocals
Reid Papke: Bass and vocals 
Jim Dahl:
Drums

 

Background Notes: Arizona toured Norway in August of 1984, one of their performances being at the Hawk Club, Fredrikstad, Norway. Watch this clip of the band performing a cover of Merle Haggard’s Reasons to Quit live at the the Hawk Club.

DISC ONE - TRACK 6

Norwegian newspaper ad - 1984

Track 6 – IT’S RAINING

Music and lyrics by: Lonnie Knight
Performed by:
Arizona
Recorded by: Denny Johnson
Lonnie
Knight : Guitar and vocals
Dave Reid: Rhythm guitar and vocals
Reid Papke: Bass and vocals 
Jim Dahl:
Drums

 

Background Notes: Arizona toured Norway in August of  1984, one of their performances being at the Hawk Club, Fredrikstad, Norway.

Watch  this clip  of the band performing Merle Haggard’s Big City. Lonnie posted it on YouTube in July of 2013, writing this comment about the recently deceased Dave Reid: “Thank you, Dave, for the friendship and the music. Via con Dios, amigo.”

DISC ONE - TRACK 7

Oil painting by Tom Page based on his photo of Lonnie at a Salute to the Music of Bob Dylan concert

Track 7 -DANGEROUS MOOD

Music and Lyrics by: K. Moore and C. Parton
Live Performance by: 
Lonnie Knight and Big Shoes
Lonnie Knight :
Guitar and vocals
Bruce Pedalty: Piano and keys
Reid Papke: Bass and vocals
Michael Velasquez:
Drums

 

Background Notes:
This track was performed by the Lonnie Knight and Big Shoes band at Corn Fest in Mankato, Minnesota in 2004.

DISC ONE - TRACK 8

Lonnie and Mark Henley - 1984

Track 8 – LET ME DOWN EASY

Music & Lyrics by: Gus Dewey
Live Performance by: The Knight-Henley Band, 1981
Recording Engineer: Tom “Zeeth” Klugherz
Lonnie Knight : Guitar and vocals
Mark Henley: Guitar, harmonica, vocals
Bill Busch: Piano and keys
Reid Papke: Bass and vocals
Tom Eckhoff:
Drums and vocals

 

Background Notes: Valued partners in the band, Greg Duffy ran lights and Tom “Zeeth” Klugherz mixed live sound.

Longtime friend and co-writer, Mark Henley, passed away in 2022 and Tom Eckhoff died October 2nd, 2021. Composer and beloved member of the band, Gus Dewey, copyrighted this song in 1976. He passed away in 2004 at the age of 57.

DISC ONE - TRACK 9

From left to right: Bill Busch, Reid Papke, Tom Eckhoff, Lonnie, Mark Henley

Track 9 – BIRDLAND

Music by: Josef Zawinul  Lyrics by: Jon Hendricks
Live Performance by: The Knight-Henley Band, 1981
Recording Engineer: Tom “Zeeth” Klugherz
Lonnie Knight : Guitar
Mark Henley: Guitar, harmonica
Bill Busch: Piano and keys
Reid Papke: Bass
Tom Eckhoff:
Drums

 

Background Notes: Birdland is the first track of the album Heavy Weather, the Weather Report’s seventh album, released in 1977 through Columbia Records. Some say it’s the track that put Weather Report on the map. One listener wrote, “So this is why birds bob their heads when they walk.”

DISC ONE - TRACK 10

Lonnie - 2004

Track 10 – FEELS LIKE RAIN

Music and lyrics by: John Hiatt
Live Performance by: 
Lonnie Knight & Big Shoes
Lonnie Knight :
Guitar and vocals
Bruce Pedalty:
Piano and keys
Reid Papke: Bass and vocals 
Michael Velasquez:
Drums

 

Background Notes:
This John Hiatt classic was recorded live at Corn Fest, Mankato, Minnesota in 2004.

DISC ONE - TRACK 11

Harriet Brewing Company in 2016

Track 11 – HALLELUJAH

Music and lyrics by: Leonard Cohen
Lonnie Knight: Guitar and vocals

 

Background Notes:
This Leonard Cohen masterpiece is regarded as the baseline for all secular hymns. It’s one of the most covered songs in history of songwriting with more than 300 different documented versions (including Lonnie’s). Cohen wrote around 80 draft verses for Hallelujah.  Source: wikipedia.com

Lonnie sang Hallelujah at a friend’s funeral in the late 1990s. Anticipating an emotional performance, he made this recording in case he found himself unable to perform it live. However, his professionalism allowed him to share his live performance. This recording was used as the background music for a slide show of Lonnie’s photography at his memorial service on June 10, 2017.

DISC TWO - TRACK 1

Track 1 – SULTANS OF SWING

Music & Lyrics by: Mark Knopfler
Recorded at: Hammer Studios 2012
Performed by:
The Mark Knopfler Tribute Project
Lead Guitar and vocals: Lonnie Knight
Bass: Reid Papke
2nd Guitar:
Robert Branch
Drums, percussion, engineer: 
Gary Haberman

 

Background Notes: This track and Track 4, Postcards from Paraguay, were recorded at Hammer Studios as demos when Gary Haberman was in discussion with a booking agent. The agent was interested in Gary’s proposal to develop a Knopfler tribute band but, unfortunately, the project didn’t come to fruition. Sultans of Swing became a signature song of Lonnie’s and was among the most requested tunes at his electric gigs.

DISC TWO - TRACK 2

Lonnie with Connie Lee 2010
Lonnie and Connie Lee - 2010

Track 2 – GO REST HIGH ON THAT MOUNTAIN

Music & Lyrics by: Vince Gill
Live Performance by:
Connie Lee and Friends
Recorded by: 
Troy Bjorkland
Guitar and vocals: Lonnie Knight
Bass:
Jim Farber
Guitar and background vocals:
Connie Lee
Drums:
Roy Holdren

 

Background Notes: Lonnie performed with Connie Lee’s band from 2011-2014. This performance was about 2012.

The night before he died, this is one of the three songs Lonnie asked to be played at his memorial service. “…Vince Gill’s version or my version,” he said. Vince Gill’s version was played at the service. The version on this track is Lonnie’s, which was not discovered until after the service.

DISC TWO - TRACK 3

Full Moon over Mpls: Photo by Lonnie July 13 2010

Track 3 – LIVING IN THE PROMISE LAND

Music & Lyrics by: C. Monday, L. Davis, M. Johnson
Live Performance by: Connie Lee and Friends
Recorded by: Troy Bjorkland
Guitar and vocals: Lonnie Knight
Bass: Jim Farber
Guitar and vocals: 
Connie Lee
Drums:
Roy Holdren

 

Background Notes: Lonnie performed with Connie’s band from 2011-2014. This track was recorded in 2012 at the Tennessee Roadhouse in Minnesota.

DISC TWO - TRACK 4

Reid Papke, Gary Haberman, Lonnie (Robert Branch not pictured) 2012

Track 4 – POSTCARDS FROM PARAGUAY

Music & Lyrics by: Mark Knopfler
Recorded at:
Hammer Studios, Maple Plain, Minn., June 2012
Performed by: 
Mark Knopfler Tribute Project
Lead guitar and vocals:
Lonnie Knight
Bass:
Reid Papke 
Second guitar:
Robert Branch 
Drums, percussion, engineer:
Gary Haberman

 

Background Notes: This track and Track 1, Sultans of Swing, were work products from Hammer Studios as demos when Gary Haberman was in discussion with a booking agent. The agent was interested in Gary’s proposal to develop a Knopfler tribute band. It’s unfortunate that such an excellent idea didn’t go beyond creating demos, but thankful to have them!

DISC TWO - TRACK 5

Ricky Peterson - 2019: Photo by Ryan Johnson

Track 5 – GRACE

Instrumental adaptation of Amazing Grace by: Lonnie Knight

Guitar:
Lonnie Knight
Piano/Keys: Ricky Peterson

Background Notes: Lonnie composed this beautiful song around the late 1970s. Grace was the second of the three songs that Lonnie requested be played at his memorial service, Unfortunately, it wasn’t found in time, so Hallelujah was chosen in its place.

DISC TWO - TRACK 6

Lonnie and Bill Busch

Track 6 – HOLD ON

Music & Lyrics by: Lonnie Knight
Live performance by: 
The Knight-Henley Band, 1981
Recording Engineer: Tom “Zeeth” Klugherz
Lonnie Knight:
Guitar and vocals
Mark Henley: Guitar, harmonica, vocals
Bill Busch: Piano and keys
Reid Papke: Bass and vocals
Tom Eckhoff: Drums and vocals

Background Notes: Greg Duffy handled the lights and Tom “Zeeth” Klugherz, the sound. Both were equal partners in the Knight-Henley Band. Zeeth was also the sound man for the Lonnie Knight Through the Years CD Release Party on July 7, 2019.

DISC TWO- TRACK 7

Lonnie at Parkway Theater: Photo by Neil Schloner

Track 7 – COMMON GROUND

Music & Lyrics by: J. DeSouza, I Lins, J. Gunth, M. Holmes, P. Winter
Guitar and vocals: Lonnie Knight

Background Notes: Vocal arrangement and recording by Lonnie in 2014. He was taken with the tune and its message when he heard it at a Barbara Meyer gig in that same year.

DISC TWO - TRACK 8

Pete Huber, Lonnie Knight, Denny Johnson

Track 8 – RIVER

Music & Lyrics by: Lonnie Knight
Recorded at: Micside Recording Studios
Guitar and vocals:
Lonnie Knight
Bass and vocals:
Denny Johnson
Drums and vocals:
Pete Huber

Background Notes: In March, 2013 Jokers Wild signed a contract with Shadoks Music out of Germany. The contract called for a vinyl album to include fourteen original songs recorded by the band in the latter part of the 1960s.  The album [was] a limited edition of 500 (numbered), pressed on high quality 180 gram vinyl, with a two-page insert and a heavy weight color jacket that shows the band in their Psychedelic/Futuristic stage outfits.  The cover also features Psychedelic artwork that Lonnie Knight came up with (completed by an artist) when the band was playing to use for concert posters.  Following the vinyl album, a CD of the band is planned that will include songs not on the vinyl record. The name of the album “Liquid Giraffe” comes from 1969 when the band advertised a “name our new album” contest for a planned studio album that was never completed.

Source: minniepaulmusic.com

DISC TWO- TRACK 9

Lonnie, Joe Scanlan, James Loney, Paul McFarland 2017

Track 9 – KEEP ME IN YOUR HEART

Music & Lyrics by: Warren Zevon and Jorge Calderon
Performed by: James Loney and Lolo’s Ghost
Recorded at Star Vu & The Brewhouse Studios by: Matt Fink and Rob Genedek
Guitar and vocals:
James Loney
Guitar, background vocals, lead vocal on verse 3:
Lonnie Knight
Bass:
Paul McFarland
Guitar:
David Ernest Bennett
Piano/Keys:
GR Svenddal
Drums
: Joe Scanlan
Vocals:
Colleen Martin Oake and Edie Rae
Background Vocals:
Mick Sterling

Background Notes: Previously released on Lolo’s Ghost–The Darker the Night, the Brighter the Stars – 2016

This is the third of the three songs Lonnie asked to be played at his memorial service. “He said, “…Keep Me in Your Heart, James Loney’s version or my version.” Consequently, James, Colleen Martin-Oake, Edie Rae, and Jim Steinworth performed this song live at the service.

DISC TWO - TRACK 10

Lonnie and Patti, May 2016. Photo by Nicole Rein Photography

Track 10 – IF I GO

Music by: Lonnie Knight and Richard Grossman
Lyrics by: Lonnie Knight
Recorded at: Crocus Hill Studios in St. Paul
Keyboards and Vocal:
Richard Grossman
Acoustic guitar and dobro:
Dale Strength
Bass:
Reid Papke

Background Notes:

As far as anyone knows, If I Go was the last song Lonnie ever wrote. According to at least two reliable sources, the song was performed once at a Lonnie and Reid Papke gig, but the only documentation was a lyric sheet, a video selfie of Lonnie humming the melody to the chorus accompanied by his guitar and a first-draft audio clip of Lonnie singing the chorus (Included below).

Patti hoped to see this gift to her from Lonnie come to final fruition. She asked Richard Grossman, a long-time friend and musical collaborator of Lonnie’s, to take a stab at constructing a completed song working with the three ‘clues’ Lonnie had left behind.

Knowing he couldn’t carry Lonnie’s case when it comes to the guitar, Richard focused on the piano as the primary accompaniment to the chorus melody. As for the verses, not having any specific guidance from Lonnie or not knowing what he had originally written in terms of the music, Richard came up with the chord changes and melody for the verses on mostly blind faith, but also by trying to channel Lonnie through meditation. There was encouragement from Reid Pakpe, Dale Strength and Madeleine Hart in their validation that Lonnie would have been pleased with the results. But the greatest validation came from Lonnie himself, who, in a dream, paid a visit to Richard encircled in radiant light with a warm smile, assuring him he approved of the final version.

A very special thank you goes out to Dale and Reid for sharing their talents so freely and with such heart and soulfulness to this project. Patti was truly surprised when she first heard it. The tears flowed freely as one would expect. The entire experience was quite surreal, yet extremely rewarding.

DISC TWO- TRACK 11

Lonnie and Bobby Schnitzer, Bayfront Blues Festival. Photo by Patti Patton

Track 11 – BAD LUCK

Music & Lyrics by: V. Carstarphen, G. McFadden, J. Whitehead
Live Performance
at the 2015 Bayfront Blues Festival, Duluth, Minnesota
Guitar and vocals:
Lonnie Knight
Guitar: Bobby Schnitzer

Background Notes: This first Knight-Schnitzer duo show was a huge success  at the Bayfront Blues Festival in August of 2015. Lonnie and Bobby received a well deserved standing ovation from an appreciative crowd. Lonnie and Bobby were close musical compadres from their early days of performing and recording in the Twin Cities music scene.